“There is not one history of art, we now have multiple histories, and within these histories, multiple points of view, multiple discourses. Themes, techniques, aesthetics, can connect artworks together regardless of the movement to which they belong, or of the year in which they were made. This alternate approach to art history allows us to create dialogues between historical locations and modern or contemporary artists, or between ancient and contemporary art.”
— Alexis de Bernède and Marius Jacob-Gismondi